Bio
Inspired by the insanity that drives a man into a murderous killing spree by repeatedly bashing thoughts of conformity into his head, forcing him to aquire the most redundant product manufacturing position and making him believe in fear as a motto of protection from actually living his life and obtaining his dreams of one day becoming more than just man, this project was created in 1996 as a solo endeavor from the frontman of the industrial metal band Fierce Culture, which is a broadened perspective of mankind being weak, living their lives on their knees and calling to a deity that does not answer; praising the technology that slowly weakens them; and being a disease or virus that is slowly devouring the planet and will one day be exterminated by means of our own, designing mankind's downfall.
The aggrivated sounds of the snowplows wreaking havok upon the pavement is inspirational and ironic in its loud, oppressive reign. Keeping the factories pulsating with greed while the envious poor strive on for a decent living, when all Mother wants is for us to all just STOP and smell the shit we are
generating around us. Without this planet and the stones orbiting around it, we would not exsist. But we've turned away from any obvious deity we could have and banished ourselves from a life of true purpose and harmony only to merge with the combines, presses, and pollution-belching factories, sedating anyone with emotions and ostracizing those who feel the need to speak freely so everyone plays along and eventually will one day become cyborgs...
The perfect machine coursing with the blood of the common working man.
It is because of all of us this has been set into motion, the resistance and defiance of rules, the irrational allegro created to combat the facist mind control. This first studio album was recorded by Dave Henderson, mixed by Chuk @ Tonesoup Productions, mastered by Chuk @ The Meadow St. Ghetto Mansion, and will be available for order soon.
The previously unreleased will go mostly unheard until the end of 2008.
The aggrivated sounds of the snowplows wreaking havok upon the pavement is inspirational and ironic in its loud, oppressive reign. Keeping the factories pulsating with greed while the envious poor strive on for a decent living, when all Mother wants is for us to all just STOP and smell the shit we are
generating around us. Without this planet and the stones orbiting around it, we would not exsist. But we've turned away from any obvious deity we could have and banished ourselves from a life of true purpose and harmony only to merge with the combines, presses, and pollution-belching factories, sedating anyone with emotions and ostracizing those who feel the need to speak freely so everyone plays along and eventually will one day become cyborgs...
The perfect machine coursing with the blood of the common working man.
It is because of all of us this has been set into motion, the resistance and defiance of rules, the irrational allegro created to combat the facist mind control. This first studio album was recorded by Dave Henderson, mixed by Chuk @ Tonesoup Productions, mastered by Chuk @ The Meadow St. Ghetto Mansion, and will be available for order soon.
The previously unreleased will go mostly unheard until the end of 2008.
Comments

posted on Jan 5 at 11:26 pm
there is this song called 'ANTI', it needs ears to find a home, go listen and maybe the highly raved about acoustic single will find a place to lay it's tone, much love Jostel, p.s. don't be afraid, it's just me pouring out my soul, all emotions you feel are reel and are regarded vital in sustaining a meaningful life,......

posted on Dec 28 at 5:40 pm
The Front Lines" is a very slick track! Welcome to the site and Happy Holidays!
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Info
Genres:
Electronic, Metal, Other, Dark Beat, Darkwave, Electro, Goth, Industrial, Electronica and Electronic Metal
Electronic, Metal, Other, Dark Beat, Darkwave, Electro, Goth, Industrial, Electronica and Electronic Metal
Location: Winsted, CT
Average Rating: not yet rated
Profile Views: 677
Song Plays: 84
Member Since: Dec 28, 2007


